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A plumber at the Buzzard went to fix a leaky pipe but found himself snorkeling above a yawning crag. And then in a flash, our plumber discovered just how quickly all-you-can-eat becomes all-can-eat-you. But you're not afraid! Thirty thousand feet down below the Bathysphere, prepare to enter the Hadal zone, deeper than Poseiden dares to dive, named for his meaner brother Hades "the unseen one" Greek god of the dead. Here dwell creatures unknown to any eyes: poison coral insects, whipping razor tails, the jagged-jaw Leviathan. They sense your approach on the faintest ripple. Once clamped, then gobbled, the fun really begins as you descend to tiniest deep within the deep, a digestive din thrumming as your mind implodes. Your being is slurped into another's, as hunger replaces fear. Welcome to Melville's "universal cannibalism of the sea; whose creatures prey upon each other, war unending since the world began." To depart, first you'll need a submersible and boy do we ever have a tin can for you! Very affordable. Clamber aboard the cardboard-class SS D15M4L. Head to the control room and look for the periscope, bearing in mind that corridors get scrambled when diving so near the Earth's magnetic core. The outer hull has held up so far so you should be good. But even if there's a breech and you end up swimming on the outside the sub, time slows way down when you're breathing your last. 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As an early adopter of laser technology, Fox wanted to investigate what he saw as an apparent interconnectedness between light and sound. Ostoja-Kotkowski built instruments and installations to express his idea about “chromasonics” (what we might now describe as A/V art), and produced films that are still exhibited in his adopted home of Australia. With “Triptych”, Fox picks up where Ostoja-Kotkowski leaves off – he was given the opportunity to research the artist’s life and work in 2021, and used it to create a work that he assures us can never be packaged up and released: “ it needs to be experienced.” Robin Fox is an internationally recognized Australian-based audio-visual artist working across live performance, exhibitions, public art, and composition for contemporary dance. His audio-visual laser works, which synchronize sound & visual electricity in hyper-amplified 3D space have been performed in over 60 cities worldwide. His critically acclaimed work TRIPTYCH premiered at Unsound Krakow in late 2022 and has toured extensively since with highlights including headline shows at Berlin Atonal, Barbican (London), Ephemera (Warsaw), OHM Festival Brisbane among many others. TRIPTYCH was awarded the Isao Tomita Special Prize at Ars Electronica 2023. Recent large-scale audio-visual works include ICON which illuminated the Sydney Opera House for its 50th birthday, Night Sky for Brisbane Festival, Aqua Luma for Mona Foma 2021, Library of Light for Illuminate Adelaide 2021 BEACON for Mona Foma 2022 and MONOCHORD for Rising Festival 2022. In 2019 his science fiction opera DIASPORA premiered at the Melbourne International Arts Festival. 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